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DiverseWorks

LIVE & ONLINE: DIVERSE DISCOURSE WITH CANDICE HOPKINS

Wednesday, Apr. 1, 2020 – Wednesday, Apr. 1, 2020

06:30 PM
US/Central

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Join DiverseWorks for the Spring 2020 Diverse Discourse Lecture with Candice Hopkins, independent curator and writer, and Senior Curator, Toronto Biennial of Art.

This event will be presented live online via Zoom and Facebook Live on Wednesday, April 1 at 6:30 pm (central time).

To view via Zoom: registration is required through Eventbrite. Registrants will receive access instructions and the Zoom link via email on Wednesday, April 1 prior to the event start time.

Those who wish to view via Facebook Live do NOT need to preregister through Eventbrite; simply visit the DiverseWorks Facebook page at the time of the event. The recorded lecture will also be made available on DiverseWorks’ website after the event.

The Golden Potlatch and the Gilded Gaze: Capitalism, Infection and Early Colonialism

Given the present climate, this lecture will center on the relationships between Indigenous economies, extractive colonialism and its attendant metaphors of infection and sickness. Beginning in the 1800s with the Klondike Gold Rush, early forms of capitalism and resource extraction in my homelands of Yukon, Canada were commonly described as viral: “So infectious was the Klondike epidemic that that flimsiest rumor served to send hundreds dashing to the farthest corners of the northern hemisphere.” There remains a performative rhetoric of “sickness” associated with capitalist desire, one which enacts the symptoms of Western colonialism while simultaneously constituting a public acknowledgment of colonialism’s existence and its inherent violence. Through looking at the relative contingencies between Indigenous economies and wealth and colonial capitalism, this talk seeks to learn from this particular historical moment as a means to shed light on our own. — Candice Hopkins

ABOUT CANDICE HOPKINS
Candice Hopkins is a curator and writer of Tlingit descent originally from Whitehorse, Yukon. Her writing and curatorial practice explore the intersections of history, contemporary art, and indigeneity. She works as senior curator for the Toronto Biennial of Art and was a part of the curatorial team of the Canadian Pavilion of the 58th Venice Biennale in 2019, featuring the work of the media art collective Isuma. She is co-curator of notable exhibitions including the 2018 SITE Santa Fe Biennial, Casa Tomada; documenta 14 in Athens, Greece and Kassel, Germany; Sakahàn: International Indigenous Art; Close Encounters: The Next 500 Years; and the 2014 SITElines biennial, Unsettled Landscapes. Her writing is published widely and recent essays and presentations include “The Gilded Gaze: Wealth and Economies on the Colonial Frontier,” for the documenta 14 Reader, “Outlawed Social Life” for South as a State of Mind, and Sounding the Margins: A Choir of Minor Voices at Small Projects, Tromsø, Norway. Hopkins has lectured internationally including at the Witte de With, Tate Modern, Dak’Art Biennale, Artists Space, Tate Britain, Yale University, Cornell University, and the University of British Columbia. She is the recipient of numerous awards including the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art and the 2016 Prix pour un essai critique sur l’art contemporain by the Foundation Prince Pierre de Monaco. Hopkins is a citizen of Carcross/Tagish First Nation.

ABOUT DIVERSE DISCOURSE
Diverse Discourse brings national curators, artistic directors, and critics to Houston to present a free public lecture and conduct studio visits with Houston-area artists, performers, and writers. Diverse Discourse provides a significant opportunity for area artists in all disciplines to have their work reviewed by a variety of distinguished arts professionals, fostering a cultural exchange across the nation between artists and cultural producers. Most recently, Diverse Discourse lecturers were Shea Little, co-founder and Executive Director, Big Medium, Austin; Sonia Guiñansaca, Managing Director, CultureStrike; and Kemi Ilesanmi, Executive Director, Laundromat Project, New York.
Due to the ongoing COVID-19 pandemic, this Spring 2020 Diverse Discourse Lecture and Studio Visits are being conducted online.


Diverse Discourse brings national curators, artistic directors, and critics to Houston to present a free public lecture and conduct studio visits with Houston-area artists, performers, and writers. Diverse Discourse provides a significant opportunity for area artists in all disciplines to have their work reviewed by a variety of distinguished arts professionals, fostering a cultural exchange across the nation between artists and cultural producers. Most recently, Diverse Discourse lecturers were Shea Little, co-founder and Executive Director, Big Medium, Austin;  Sonia Guiñansaca, Managing Director, CultureStrike; and Kemi Ilesanmi, Executive Director, Laundromat Project, New York.

HOURS & ADMISSION

  • Hours and location vary by project, please visit our website for the most up-to-date information -
    DiverseWorks.org
  • Exhibitions and public programs are free; ticketed performances are pay-what-you-wish.

Directions & Parking

  • Paid Parking
  • Street Parking
  • MetroRail: The MetroRail makes a stop a half-block south of the MATCH at the Ensemble/HCC Station. Mid-Main: Close to the MATCH is the Mid-Main Garage (directly to the south at the corner of Holman and Travis). This garage is accessible through Holman or Travis Street and is open 24 hours. Parking can be paid by credit card or cash at the designated pay machines. And lastly, Street Parking: Metered street parking is available in Midtown. Please read all parking signs carefully, as available street parking changes depending on the time of day.

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